All posts tagged: Uyghur

The Best of 2016

It has been something of a slow production year here at the Art of Life in Chinese Central Asia. Dissertation writing, conference travel and website development have taken some time away from producing new content. Yet we did have a chance to be a part of Perhat Khaliq’s first visit to the United States. And over the past year we have published a few new pieces, including a long-form photo essay on the work of the Xinjiang-based Han Buddhist photographer Tian Lin and an in-depth essay on the way Uyghur young people are using  social media to critique government elites and ostentatious displays of wealth. Both of these two projects were two of our top five pieces in 2016. Below is a list of our top five most popular posts for the past year. Thanks as always for reading! 1. Ms. Munirä’s Wedding Gifts: Trolling Uyghur Elite Society Back in April 2016 the daughter of a well-to-do Uyghur border official in Kashgar, a woman known now simply as Ms. Munirä, got married. Like many weddings of wealthy Uyghurs, it …

Uyghur Sports and Masculinity

Excerpts from an essay on Uyghur sports cowritten by Parhat Ablet and Darren Byler. It first appeared in Pop Culture in Asia and Oceania published by ABC-CLIO/Greenwood (2016). Traditional Uyghur sports can be thought of as two interrelated categories – children’s games, traditional competitions – both of which are played primarily by men and boys. From “goat-pulling” on horseback to “rabbit-pulling” on sleds, Uyghur traditional sports are part of the weave of everyday life from youth to middle-age. Over the past two decades the increase in formal education in the Uyghur homeland of Southern Xinjiang coupled with the spread of television and Internet media has led to a greater popularity of Western sports such as soccer, basketball and boxing. Yet despite the recent overlay of Western sports, the traditional games and competitions of rural Uyghur life continue to play an important, yet diminishing, role in Uyghur masculinity. A prominent feature of Uyghur children’s games is that everyday objects are turned into tools of play. The team sport known variously as chukchuk-kaltek, gaga, or walley (hereafter walley) that is …

image011

Introducing Living Otherwise

Changes are in store for the Art of Life in Chinese Central Asia thanks to a generous fellowship from the Simpson Center for the Humanities at the University of Washington. Not only have we moved from Beige Wind to a new site called Living Otherwise and transformed it into magazine-style repository, but we are also developing some new exciting larger-scale projects that highlight the arts and changing cultural systems of the city of Ürümchi and Northwest China more broadly. Over the next year we will be bringing you more long-form essays, such as the recently published piece “Ms. Munirä’s Wedding Gifts,” as well as interactive mapping projects and virtual exhibitions of Xinjiang arts and politics. The first of these larger scale projects is a multilinear photo essay titled “Living Otherwise: Buddhist Photography on the New Silk Road.” The project tells the story of Tian Lin, a Han settler and former monk, who has developed a meditative photo practice among Uyghur squatters in the city of Ürümchi and through this become a major figure in Xinjiang arts scene. …

Ms. Munirä’s Wedding Gifts: Trolling Uyghur Elite Society

For those without access to YouTube, the film is also available here at Critical Commons. Co-written with Aynur Kadir, PhD Candidate, Simon Fraser University Back in April 2016 the daughter of a well-to-do Uyghur border official in Kashgar, a woman known now simply as Ms. Munirä, got married. Like many weddings of wealthy Uyghurs, it was an ostentatious affair. Since Uyghur weddings are often seen as the joining of two families, it is important that each family demonstrates their wealth and prestige. One of the key moments of this demonstration is when the bride wealth which is given to the bride’s family by the groom’s family is announced to the attendees of the wedding at a party that proceeds the wedding called a “big tea” (or chong chay). In many cases this is a low-key affair. But in some cases, as in Ms. Munirä’s case, it takes on the appearance of luxury product exhibition. In an extravaganza such as this, an announcer called a “box opener” (snaduq echish) proclaims to all in attendance what has …