All posts tagged: Short Film

Uyghur Women & Memetjan Semet’s film “Dad, I Love You”

A few weeks ago when talking to a Uyghur acquaintance he told me: “One the biggest problems among Uyghurs today is the rate of divorce. I think it is as high as 70 percent. Most of it is the fault of women. They have misunderstood what women’s equality is all about. They think that it means that they should be equal to men in every way; or that men should be just like them. They try to control men, stop them from going to bars. They order men to do housework, and then spend all of their money. They don’t understand that that is not their place. If they would be encouraging to men, than men would never cheat on them.” When I mentioned this conversation to the filmmaker Memetjan Semet he said: “That’s not true. The main reason people get divorced is because of men. Many men don’t understand just how difficult and stressful women’s work can be. They have to take care of the household, cook, clean and take care of their children. …

The Edge of the Bazaar, A Documentary About Uyghur Rural Life

One of the emerging trends among young Uyghur film directors is a new attention to documentary filmmaking. This approach has long been a part of Uyghur cinema, but previously it was often part of a larger public relations presentation sponsored by the Chinese Culture Ministry. These new documentary short films are independently produced on limited budgets by young filmmakers who have an intimate knowledge of their subjects. Part of the new emphasis on documentaries is due to the increasing affordability of cameras, lenses, and digital editing software. Another element is the way the expanding Uyghur and Chinese Internet has made forms of international and national documentary – from Werner Herzog and Lucien Castaing-Taylor to Wu Wenguang and the New Chinese Documentary Film Movement – more accessible to film students in Xinjiang. But perhaps an even more important factor is the way students from the rural countryside are seeing more and more of the way-of-life they grew up around vanish before their eyes. It was these elements that prompted the young student filmmakers Abdukadir Upur and Dilmurat Tohti to …

“Lift” and the Future of Uyghur Film

When Memetjan Semet first came to Urumchi he remembers being shocked at how isolated everyone felt from each other. For the first time in his life he didn’t have his family and childhood friends to lean on for support. He also noticed that he wasn’t alone in this condition. No one in the big city seemed to care about others around themselves. Instead, people kept their heads down. They focused on their smart phones, chatted with friends in the virtual world, and ignored the difficulties of people nearby. The problems of strangers were not something they felt they needed to be concerned with. One time while waiting for an elevator in a large office building in the Uyghur section of the city, he noticed a disabled woman hobbling down the hallway. No one held the doors for her. Everyone pushed her to the side while getting on and off of the elevator. Over the next few minutes he watched her grow more and more defeated. Eventually she gave up, and began the long painful process …