All posts tagged: Pop Music

Traffic Lights and Uyghur Black Humor

On April 13, 2014 Abdulbasit Ablimit a 17-year-old from a small town near Aqsu was shot twice. It appears as though he had run a red light on his electric motor-scooter and, rather than stop and pay a fine, he had fled. According to his friends, three kilometers later he was shot. The official state narrative, posted a few days after the incident, says he attacked the police with stones, tried to grab their guns and so on. Abdulbasit died within hours. His body was given to his family for burial. But he was not buried. Instead his body was carried, wrapped in a white shroud with a procession of hundreds of his friends and family on a march toward the town center. They demanded that the officers who had killed Abdulbasit be arrested. As you can hear in the video above, they chanted “God is Great” – one of the few Arabic phrases that everyone knows and understands. Realizing their mistake, security officials seized Abdulbasit’s body again and arrested many of the grieving protesters …

Möminjan, Turkish Pop, and Islamic Devotion

Beginning with the very first cassette tape he released in 1999, Möminjan has been popular with young people. One of the main ways people experience music in the city is in nightclubs where the music envelopes the tight confines of a room and the pageantry of moving to the beat with friends and strangers comes to life. Uyghurs can dance. And Möminjan’s songs were eminently danceable. Not only is his voice remarkable similar to his uncle Abdulla, but Möminjan is a suave performer. He’s likeable. Even in his early days when he was still studying archaeology at Xinjiang University, his fellow classmates elected him president of the student club of his institute. Möminjan’s path as a musician has diverged from other performers in interesting ways. Unlike other young singers who made it big, he has not tried to cross over to a popular Chinese audience. He doesn’t even sing Chinese translations of traditional or “red” folk songs. Instead, beginning in 2003 he began to sing in the Uzbek and Turkish style. Möminjan’s goal in doing …

Success Stories and the Pop Star Möminjan

Of all the performers in the upper echelon of Uyghur pop music, Möminjan is perhaps the most widely traveled independent artist. Möminjan, and his brother the famous composer Ablet Ablikim, grew up in the shadow of their famous uncle Abdulla, the King of Uyghur pop. He and his brother have been following in their uncle’s footsteps for over a decade; they even recorded a song together called “We Brothers” (Qerindash Biz) which sounds a bit like a Uyghur version of the Everly Brothers. As an Archeology student in the History Department at Xinjiang University, Möminjan developed interests outside the family business. In the mid-2000s he went through the long arduous process of obtaining a passport without an Ürümchi hukou and went to Malaysia to study English. After he came back he recorded a song called “I’ll be Home Soon, Mom.” In the song Möminjan takes on the way life apart from one’s family puts an almost unbearable strain on family relations. Using a novel form of theatrical performance, Möminjan performs the way dreams can be …

Abdulla, King of Uyghur Women

This is the third post in a multi-part series on Abdulla Abdurehim hosted by The Art of Life in Northwest China Abdulla, the undisputed king of Uyghur pop, receives 1000s of love letters from Uyghur women. According to those who traffic in insider knowledge of Uyghur models of masculinity, Abdulla’s effect on women first became a subject of manly discussion in the early 2000s when his song “Ranjima” was released. As you will see in the linked music video of that song, the camera lingers on a young woman while Abdulla, clad in a bad-ass Harley-Davidson t-shirt, crones lines such as “Don’t be sorry, let’s just be friends” – a clear allusion to a failed illicit affair with the distracted young woman. Young Ranjima swoons. Abdulla basks in love letters which rain down around him from his female admirers. Despite this direct appeal to his sexuality in the images of the song, Abdulla carries on a line from Sufi poets who were devoted to “one true thing.” He sings: “Our souls cannot share the same flame.”  Thirteen years …