All posts tagged: Ali K.

Ali K.’s “Burial Ground” Photo Series

Last weekend I went to Gulsay Cemetery at the south end of Ürümchi, back behind the power plants right next to lowest foothill of the eastern section of Heavenly Mountains. Many Uyghur, Kazakh and Hui heroes are buried in this cemetery; people often just refer to it as “the Muslim cemetery.” Looking at the markings around you, it feels as though you are in a completely Muslim world. In the Uyghur section of the cemetery all of the signs are in the Arabic script of modern Uyghur. There is little sign in this community of the dead that this cemetery is in the largest Chinese city in Central Asia. But if you look a few hundred meters away you immediately recognize that the city is now even here: the last stop on 308 bus line. Giant earth moving machines prowl the nearby city landfill; sunlight reflects off of the CITIC tower at Little West Gate. But even though the city has come to the cemetery the people here still seem at rest in the earth. …

On the First Uyghur Contemporary Art Show

The first Uyghur contemporary art exhibition opened at the Xinjiang Contemporary Art Museum on May 16. The opening was attended by several hundred people from across the province, including most of the represented artists. Since the majority of the painters were teachers or professors, many leading administrators from local universities were also present. Aside from them and a few Han painters from local art schools that the museum’s leading curator, Zeng Chunkai, had invited for the opening, nearly everyone was Uyghur. Even a famous Uyghur public intellectual, Yalkun Rozi, came and praised the artists – although he clearly didn’t understand contemporary art. Everyone I spoke with was thrilled by the opening. Several viewers were amazed to see Uyghurs given voice in a professional contemporary art space. Just seeing their work on the wall was a major thing. The artists I spoke with felt as though the exhibition — which will last until June 16 — was a turning point in the Uyghur contemporary art scene. To them it presaged greater recognition and further development outside of Xinjiang and into the world. Actually the exhibition …