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Terrifying Uyghurs

In a recent article James Leibold, a scholar at La Trobe University, in Australia, discussed the way ethnic minority struggles against police and structural violence have often been officially misrecognized as “terrorism.” At the same time, in China, as in the United States, violent acts carried out by non-Muslims are read as acts of the deranged and mentally ill, but not as “terrorism.” In China, as in the United States, the lives of Muslims which are lost as a result of “terrorist” or “counter-terrorism” efforts are often unnoticed and unmourned. All losses of life leave gaping holes in our human social fabric, but why are some more grievable than others? What happens when a population is “terrified” by the discourse of “terrorism”? As in many other parts of the world, the concept of “terrorism” in China was strongly influenced by Bush Era American political rhetoric. Prior to 9/11, Uyghur violence was almost exclusively regarded as “splitism.” Since 9/11, as Gardner Bovingdon has shown, according to official state reports Han settlers in Xinjiang have become victims of “terrorism” on a …

Beige Wind in Chinese Translation!

I am thrilled to announce that Wang Tonghe, senior translator for The New York Times (Chinese), will be translating and posting selected essays from The Art of Life in Chinese Central Asia on his fantastic Chinese language blog “Humar.” The first piece is a translation of a November 2014 essay called “The Migrant Food Network.” Here is an excerpt from the translation: 离妈妈一千公里远,怎样才能吃上家乡的味道? 王童鹤 · 16 小时前 年轻人来到乌鲁木齐工作或学习时,经常会得到同乡关系网的支持帮助。他们依赖亲戚和朋友帮助他们找工作,帮助他们站稳脚跟。不过,有一些东西,城市里的接应者却无法提供:他们没办法向客居乌鲁木齐的年轻人,提供来自家乡的食物。或许正是因为这个原因,年轻的维吾尔人建立了一套食物配送体系,把家乡的味道带到城市里。 这些食物用纸箱盛放,堆在长途客车的货舱里,从新疆南部运来。这最初只是乌鲁木齐南郊客运站附近,一家名叫 Lukman 的商店经营的副业,之后却发展成了一套完整的运送网络,涵盖南疆的各片绿洲。母亲在沙漠的另一端牵挂着自己的儿女,她们会把干果、葡萄干、石榴、做熟的肉、专门烤制的馕寄给孩子。Lukman 打理着成千上万箱这些的食物。 (等待领取的货物。图:雷风 [Beige Wind]) 纸箱上写着收件人的名字、电话号码,还有住在哪个城市。箱子运到时,店家就会打电话通知收件人,母亲寄来的食物已经到了。收件人来到 Lukman 的集散中心,给店员亮一下身份证,再交 5 到 10 元的运费,接下来的一整个月,就能靠着父母的关爱生活了。 几乎每一个来到乌鲁木齐的移民,都能讲出自己刚来这座城市时,到 Lukman 领箱子的小故事。比如: “当然啦,在乌鲁木齐的巴扎里也能买到葡萄干和馕,可是收到自己的妈妈托人捎来的东西,毕竟不是一回事嘛。这是父母表达关爱的一种方式。对于我们许多人来说,父母想的事情都很简单:儿女过得健康、存些钱过节的时候花。收到这些箱子,真是太好了。虽然我在城里住了这么久,我妈妈还是会经常问我,需不需要喀什那边,我老家村里的东西。” 尽管许多移民在过节时,会回到 24 小时车程(1400 多公里)之遥的家乡喀什、和田,但对于那些在城里吃不起餐馆的最最穷苦的学生和工人来说,正是这些包裹里的干果和馕,让他们挨过中间数月的日子。一位已经定居乌鲁木齐的农村背景的大学生对我说道,就是靠妈妈寄来的一箱箱食物,“我才能在上大学的头几年里,每个月花不到 250 块(当时约合 30 美元)就活下来。不是开玩笑,我早饭和晚饭就只吃馕和水果。有时候我也会自己带馕,再在学校食堂打一份 1 块 5 的素菜。就这么过。” 对于许多学生和卖水果的小贩来说,早饭和晚饭吃馕泡茶是很常见的做法;许多人来到城里之后都会掉体重。 一位长期在此的移民对我说:“我父母还给我捎过做熟的羊肉。妈妈把羊肉弄熟,然后晾凉让它凝固在自己的脂肪里。冬天,这样的肉能搁好几个星期,很奇怪我从来没吃坏过肚子。吃饭的时候,拿一些肉泡在热水里,就有了一碗很棒的肉汤,然后我再就着汤吃馕。” Continue reading…

The Best of the Art of Chinese Central Asia in 2014

There were many changes in Xinjiang in 2014. While some segments of the population saw 2014 as a year full of exciting new developments; others saw it as a year of increased desperation. Despite these changes life goes on. People always find a ways to survive and thrive. Below are our five most read pieces in 2014. Thank you to all of you that follow this blog for your continued support and readership. We are looking forward to bringing you more interesting stories of life in Chinese Central Asia in 2015. So You Think Uyghurs Can Dance? May 2014 “With the so much attention being paid to violence emanating from Xinjiang, many of you may have missed the parade of Uyghur dancers who have recently taken the stage on the Chinese version of “So You Think You Can Dance” (Zhongguo Hao Wudao). Not only do we have the child star turned adult tap-dancer Yusupjan, the nine-year old break-dancer Surat Taxpolat who goes by the stagename “Little Meatball”, and the teenage break dancerUmid Tursun but we also have the model family …

“Encounter on the Silk Road” at the 2014 Xinjiang Art Biennale

There were a lot of people at the International Expo Center on July 20, 2014, the last day of the Xinjiang Art Biennale. The massive complex next to a giant Buddha and Hilton hotel on the northeast side of the city echoed with the sounds of an original score by Philip Glass called “Encounter on the Silk Road.” The exhibition was heavy on spectacle. Giant video screens, paintings and sculptures drew the largely Han crowd into massive spaces lit by natural light. Smartphone cameras were often raised against the intensity of actually looking at the mesmerizing objects that called the viewer to contemplate the way contemporary Xinjiang is “a land of many colors.” True to this theme, many of the pieces on display were both diverse and provocative. Although there was a smattering of the usual pantheon of Chinese avant garde works on display and much of the video art seemed to be from Bulgaria and Italy, many of the pieces were specific to the region. As the deputy director of the Xinjiang Ministry of …