All posts filed under: Photography

Uyghur Migrant Life in the City During the “People’s War”

This is the first of a two-part series that first appeared in Youth Circulations . The series, written by Darren Byler, with photographers Nicola Zolin and Eleanor Moseman, documents how the bodies of migrants are marked, just as their communities are erased, in the often unconsidered spaces of China’s “People’s War on Terror.” In May 2014 the Chinese state declared a “People’s War on Terror.” This war was directed at what was perceived to be the Islamic “extremism” of young Uyghur men and women. Uyghurs are a Turkic Muslim minority group that is indigenous to Chinese Central Asia, or what in colonial terms is referred to as “the New Dominion” (Xinjiang). This vast area of the nation, whose borders stretch from Tibet to Afghanistan to Mongolia, is the source of nearly 20 percent of China’s oil and natural gas. It is also a central node on China’s New Silk Road initiative, which seeks to expand China’s influence throughout Western Asia. Increasingly the eleven million Uyghurs who call the southern part of this region their homeland are seen …

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Introducing Living Otherwise

Changes are in store for the Art of Life in Chinese Central Asia thanks to a generous fellowship from the Simpson Center for the Humanities at the University of Washington. Not only have we moved from Beige Wind to a new site called Living Otherwise and transformed it into magazine-style repository, but we are also developing some new exciting larger-scale projects that highlight the arts and changing cultural systems of the city of Ürümchi and Northwest China more broadly. Over the next year we will be bringing you more long-form essays, such as the recently published piece “Ms. Munirä’s Wedding Gifts,” as well as interactive mapping projects and virtual exhibitions of Xinjiang arts and politics. The first of these larger scale projects is a multilinear photo essay titled “Living Otherwise: Buddhist Photography on the New Silk Road.” The project tells the story of Tian Lin, a Han settler and former monk, who has developed a meditative photo practice among Uyghur squatters in the city of Ürümchi and through this become a major figure in Xinjiang arts scene. …

Ali K.’s “Burial Ground” Photo Series

Last weekend I went to Gulsay Cemetery at the south end of Ürümchi, back behind the power plants right next to lowest foothill of the eastern section of Heavenly Mountains. Many Uyghur, Kazakh and Hui heroes are buried in this cemetery; people often just refer to it as “the Muslim cemetery.” Looking at the markings around you, it feels as though you are in a completely Muslim world. In the Uyghur section of the cemetery all of the signs are in the Arabic script of modern Uyghur. There is little sign in this community of the dead that this cemetery is in the largest Chinese city in Central Asia. But if you look a few hundred meters away you immediately recognize that the city is now even here: the last stop on 308 bus line. Giant earth moving machines prowl the nearby city landfill; sunlight reflects off of the CITIC tower at Little West Gate. But even though the city has come to the cemetery the people here still seem at rest in the earth. …

Chen Zhifeng, Xinjiang Billionaire, Patron of the Arts

Untitled #1 Chen Zhifeng is a “self-made” billionaire, founder of the Western Regions Photography Society, and a major force in Xinjiang’s art scene. He is part of a newly minted cohort of Xinjiang capitalists: the Xinjiang 8 (or 9) nouveau riche, who have taken advantage of Chinese-Central Asian market development and the post-Reform oil and gas economy. His Wild Horses Corporation brings in an annual income of $700 million selling Chinese-made women’s underwear and TVs in Russia and Kazakhstan. Yet, unlike some other Xinjiang elites, Chen has reinvested his wealth in Xinjiang. As a trained artist himself, he is renowned for his support of a multiethnic crew of young Xinjiang artists. With his prominently displayed black Hummer standing sentinel in front of his Wild Horse Hotel compound on Kunming Road just down the street from the Kazakhstan Visa Office/Embassy, Chen has become a Xinjianger’s Xinjianger. Although he was born in Hubei and came to Xinjiang as the result of a military assignment in 1981, Chen has taken on the cultural genealogy of Xinjiang history with a fierce amount bravado and …