All posts filed under: Children

Images in Red: Han Culture, Uyghur Performers, Chinese New Year

Published by Darren Byler

While many people were watching and discussing the racial politics behind the use of black-face in a Chinese portrayal of African women during this year’s Chinese New Year gala, across Chinese Central Asia Uyghur women and children were performing another kind of ethno-racial erasure. Unlike in years past, this year Uyghurs were asked to perform their Han affinity by participating in Han cultural events. Although “Chinese New Year” is not an exclusively Han tradition, it is seen as un-Islamic and experienced as exclusively Han by most Uyghurs. In the past Uyghurs have nearly universally abstained from writing couplets and pasting them over the frames of their doors, lighting fireworks, making dumplings, and forcing their children to dress in Han traditional clothing and perform Han cultural myths. As seen in the state media clip above and the images below, this year was different. For Uyghurs in the diaspora outside of China these images are images of hopelessness and decimation. They are images of Chinese state terror masquerading simply as Han paternalism. They are red images of horror. …

Love and Fear among Rural Uyghur Youth during the “People’s War”

Published by Darren Byler

This is the second of a two-part series that first appeared in Youth Circulations . The series, written by Darren Byler, with photographers Nicola Zolin and Eleanor Moseman, documents how young Uyghurs mourn those who have been detained or disappeared and fear that they will lose still more of their loved ones. Since the beginning of the “People’s War on Terror” in May 2014, the everyday life of Uyghurs has been transformed by the presence of intense security measures, regular home invasions, and the mass detention of thousands of young Uyghurs suspected of so-called religious extremism. Although many young Uyghurs are simply interested in practicing a form of pious religiosity, or what in other contexts might be referred to as a Hanafi form of Sunni Islam, the state has determined that this is a threat to the sovereignty of the Chinese nation. In order to exert its authority, the state has required that Uyghur Muslims practice their faith only as permitted by social workers and police monitors. As education policies and religious regulations demonstrate, the state would prefer that Uyghurs embrace …

Uyghur Kids And Their “Dream From The Heart”

Published by Darren Byler

PPTV version of the above video here for those without access to YouTube. A recent Uyghur-language short film called “Dream From the Heart” (English and Chinese subtitles) tells the story of a group of boys from Qaraqash, a county of more than half a million people in Southern Xinjiang. Shot as part of China Southern Airlines’s new ad campaign by the award-winning director Zhang Rongji (张荣吉), the film references the true stories of how self-taught and underfunded young people from the deep poverty of Hotan and Kashgar prefectures struggle to compete with more privileged opponents. So many teams of young confident athletes, musicians, speech competitors, and scientists in Southern Xinjiang practice all of their lives to reach the big stage in the city, only to find themselves blocked by the logistics of getting across the country or traveling across the globe. Many times they don’t have the equipment, the coaching, worldly knowledge, or the political support of people in the cities – all they have is a will to succeed and the toughness that comes from …

The Blind Voice of the New Silk Road

Published by Darren Byler

Perhatjan performing in the second segment of the Voice of the Silk Road This week was the screening of the seventh segment of the first round of The Voice of the Silk Road – a show that hundreds of thousands of Uyghurs watch every Friday night at 8 pm local time on Xinjiang TV Channel 9. People like the contest because they can watch their favorite performers joke around with each other; they can see people they know perform or imagine themselves performing in their place. Uyghurs see themselves trying on a performance mode popularized by mainstream English and Chinese-language versions of the show, but instead of English or Chinese pop ballads and American and (largely) Han stories of unrecognized talent, on this show they see the reverse. They largely see Uyghur folk songs, classical muqam and pop music; and they mostly hear Uyghur stories of personal triumph. The Voice of the Silk Road is a celebration of an amateur love for Uyghur music. The contestants sing because they love to sing; they sing because they …