All posts filed under: Celebrity

The Legacy of the Uyghur Rock Icon Ekhmetjan

People still remember where they were the day Ekhmetjan[1] died. It was Thursday, June 13, 1991. He was only 22 years old. As is common with the death of an icon, many people refused to believe he was gone. Instead rumors spread that thugs from a rival disco had knifed him in a back alley or that he had faked his death and gone abroad to marry a princess. Ekhmetjan had been in Ürümchi preparing for a concert across the then (relatively) open border with Kazakhstan when he died. Back in those days before the train reached Kashgar and the highway stretched across the desert to Hotan, it was difficult to carry bodies home for burial. There were no freezer trucks. After a long and bumpy ride around the desert Ekhmetjan arrived in his hometown of Qarakash (near Hotan) covered in celery and ice against the smell of rot. People remember when he arrived. As his official biography puts it, Ekhmetjan died of “an illness.” Although everyone knows he died of a heroin overdose, no …

Ms. Munirä’s Wedding Gifts: Trolling Uyghur Elite Society

For those without access to YouTube, the film is also available here at Critical Commons. Co-written with Aynur Kadir, PhD Candidate, Simon Fraser University Back in April 2016 the daughter of a well-to-do Uyghur border official in Kashgar, a woman known now simply as Ms. Munirä, got married. Like many weddings of wealthy Uyghurs, it was an ostentatious affair. Since Uyghur weddings are often seen as the joining of two families, it is important that each family demonstrates their wealth and prestige. One of the key moments of this demonstration is when the bride wealth which is given to the bride’s family by the groom’s family is announced to the attendees of the wedding at a party that proceeds the wedding called a “big tea” (or chong chay). In many cases this is a low-key affair. But in some cases, as in Ms. Munirä’s case, it takes on the appearance of luxury product exhibition. In an extravaganza such as this, an announcer called a “box opener” (snaduq echish) proclaims to all in attendance what has …

The RISE Collaborative at the Seattle Asian Art Museum

Bringing New Vitality to Uyghur Performance On a Tuesday evening in early 2016, American and Uyghur dancers wheeled across the rough stone floor of the Seattle Asian Art Museum. They were moving to the rhythms and countermelodies of a Uyghur ecstatic tradition: the Dolan Muqam. Building slowly from an arrhythmic introduction, high and echoing around the room, gradually this form of traditional Uyghur music emerged into a full-formed twirling dance around a taut rhythm. The sound and tense rhythms that filled the room came from the voice and resonator guitar of a single man: the Uyghur rock star Perhat Khaliq. It was Perhat Khaliq’s first visit to the United States and after his longstanding friendship with Mukaddas Mijit, it was the first time the two had created a new work together. Of course the space was also filled by a sold-out crowd, people pressed close on carpets and chairs that surrounded the room. Uyghurs had come from all over the state. They came from Portland and Vancouver. They came to celebrate Uyghur music and dance. …